From the Site
glaive Embraces the Chaos of a Swirling Mind in 'a bit of a mad one'
February 27, 2024
'a bit of a mad one' is a work of matured vulnerability, refining the hyperpop and alternative fusion the artist helped to pioneer.
Jazmin Bean’s 'Traumatic Livelihood' Is a Genre-Blending Exploration of Trauma and Healing
February 26, 2024
Boundaryless and exquisitely donned in theatrics, 'Traumatic Livelihood' is a precious collection of the artist’s musical and personal voice.
Crawlers Delivers a Raw, Emotional Debut Album in 'The Mess We Seem To Make'
February 20, 2024
The universe of Cralwers is stirring, multi-dimensional, and unpredictable.
Swansea Skag's 'the fundamentals of disappearing' Is Measured Chaos
February 20, 2024
Swansea Skag has learned how to paint with production, marrying electronic and organic influences with a deft hand.
Katherine Li’s 'love, k' is a Romantic Treat For All Seasons
February 15, 2024
"This EP is written for all the hopeless romantics that find themselves in a never-ending loop of (borderline imaginary) relationships that never seem to work out."
girl in red Lets the World Know 'I’M DOING IT AGAIN BABY!' With Brand New Single "Too Much"
February 13, 2024
girl in red is swerving into a pop maturity that still honors the understated softness we originally fell in love with.
Jade LeMac on Toxic Relationships, Joke Songs, and 'My Life With the Walter Boys'
February 6, 2024
19-year-old LeMac is taking the pop world by storm with her confessional storytelling and biting tracks.
The Last Dinner Party's 'Prelude to Ecstasy' Is a Portrait of Fierce Femininity and Art-Rock Genius
February 5, 2024
'Prelude to Ecstasy' feels like a Tumblr-era soundtrack to an ornate period piece.
glaive Begs the Question "huh" in Breakneck Banger
January 31, 2024
“huh” is the glaive encapsulated, merging raw emotions with unfiltered electronic soundscapes.
Blu DeTiger Wants to Play a "Dangerous Game" Ahead of Her Debut Studio Album
January 29, 2024
"I wanted a song that portrayed this fun character who doesn’t give a fuck, who wants to go out and experience life..."
Jean Dawson's "GHOST*" Will Rip and Tear You Apart
February 18, 2023
“GHOST*” is the first strike of what will undoubtedly be a visceral year of music for Dawson.
carolesdaughter's “nobody’s favorite person, not even my own” Is a Daring and Raw Self-Portrait
April 17, 2023
"The only thing you own in life is your body and your soul and no person is worth losing that for.”
Carol Ades' “Better Than You Found Me” Is the Perfect Bout of Heartfelt, Soaring Songwriting
March 18, 2024
"Better Than You Found Me" is a safe place for intrusive thoughts set to ear-worm melodies.
Noah Floersch's “Thompson's Station” Is the Soundtrack to Your Wanderlust
May 26, 2023
“Thompson's Station” is a vibrant indicator for the decadent album to come from the steadily rising folk artist.
Jules Paymer and Miki Ratsula Teams Up For the Vulnerable "The Daughter That My Mother Wanted"
April 21, 2023
“TDTMMW” is a raw confessional told through intertwined harmonies and a moving music video.
Joe P’s “Don’t Wanna Love U” Is an Epiphany Embodied in an Alt-Pop Anthem
August 25, 2023
“Basically, it’s the saddest song I’ve ever written dressed up in a happy song’s clothes.”
The Beaches Deftly Balance Anthems Alongside Tender Introspection in 'Blame My Ex'
September 18, 2023
'Blame My Ex' is an instant indie rock classic.
Catie Turner's "Friends" Is a Campfire Tale of Mixed Signals
August 30, 2024
“Friends” copes with betrayal through comedy in this era-launching track.
Meet Teen Jesus and the Jean Teasers, Australia's Latest Rocking Export
September 12, 2023
Bristling with garage-punk indifference and gritty guitar riffs, the Aussie four-piece is clearly one to watch.
Slow Pulp Wanders Down the Spiraling Road of Life in "Yard"
October 4, 2023
Between grungy distortion and folk-inspired, acoustic ease, Slow Pulp provides a much-needed sonic companion to loneliness.