From the Site
mehro Pens a Heartfelt Letter to Life's Highs and Lows in 'Trauma Lullabies'
May 9, 2024
"It’s all of me and none of me wrapped in a pretty little bow for your amusement, joy and suffering.
beabadoobee Returns With "Take A Bite," Announces 'This Is How Tomorrow Moves' Album
May 9, 2024
Approaching her third album, Bea has shaped an artistic voice shimmering with whimsical highs, sultry lows, and an undeniably authentic artistic perspective.
The Marías Happily Destroy Us All Over Again With "If Only" and "No One Noticed"
May 7, 2024
The Marías continue to drown in their deep ocean blues.
Royel Otis Chart Out the Next Wave of Indie Rock in 'PRATTS & PAIN'
May 6, 2024
'PRATTS & PAIN' is a treasure trove of aggressively fun and lovable tracks that perfectly slipstream into summer.
Ayleen Valentine Walks the Tightrope of Comforting and Haunting in 'little rainbows after death'
May 3, 2024
'little rainbows after death' finds innocence in vulgarity and hope in pessimism.
spiderblush Paints a Moving Portrait of Coming of Age's Imperfections in 'Ways Parted'
May 2, 2024
'Ways Parted' gives fans new and old a look into the raw thoughts of this rising star’s brain.
Night Tapes Dances Under the Stars in the Ethereal "Projections"
May 1, 2024
"Sometimes you find in yourself what you seek in others."
Wallows Toss and Turn in the Lovelorn "Bad Dream"
April 30, 2024
Built around a dreamlike soundscape and sentimental lyrics, "Bad Dreams" is unmistakably Wallows.
![Ari Rivera Learns to Let Go in the Gritty but Delicate 'ep 2' [Q&A]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/unnamed-1713829861.jpg)
Ari Rivera Learns to Let Go in the Gritty but Delicate 'ep 2' [Q&A]
April 23, 2024
'EP2' is a shimmering alternative landscape full of songwriting mastery and a boundary-pushing sonic palette.
Shaya Zamora Is a Star in the Making With “Pretty Little Devil”
April 22, 2024
For those who have yet to discover Shaya Zamora, now is the perfect time to tune in.
Ginger Root's 'Nisemono' Is a Euphoric Look at Imposter Syndrome and the Quarter-Life Crisis
September 12, 2022
Ginger Root has managed to find merriment within delicate introspection and sobering surrender.
![Peach Pit Releases Heartfelt and Multifaceted Third Album 'From 2 to 3' [Q&A]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/peach-pit-interview_1646416920.jpg)
Peach Pit Releases Heartfelt and Multifaceted Third Album 'From 2 to 3' [Q&A]
March 4, 2022
Peach Pit harnesses the intimacy of a living room jam on their latest impressive record.
BENEE Finds Herself Torn Between Desire and Heartbreak in "Want Me Back"
June 14, 2019
+ Catch BENEE live in Los Angeles on June 19 at our Baà±o Flaco showcase.
Chelou Is a Psychedelic Alt-Indie Enigma
August 8, 2019
A more acoustic cousin of Alt-J and Tame Impala, alt-indie enigma Chelou is taking the planet by psychedelic storm.
Suki Waterhouse Reignites an Old Flame in "Wild Side"
April 7, 2022
"'Wild Side' is about recognizing each other's past, the beauty and the fear that comes in reminiscing about who you used to love."
![George Taylor's "Roses" Is a Masterful Use of Sonic Space [PREMIERE]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/george-taylor-ones-to-watch-2_1561662511.jpeg)
George Taylor's "Roses" Is a Masterful Use of Sonic Space [PREMIERE]
June 27, 2019
British singer-songwriter George Taylor has shown from the jump that he can build worlds inside your headphones.
The Maràas' "Out for the night" Is a Hypnotic Live Rendition of an Unreleased Track
November 7, 2019
"We'll probably never release the actual produced track that we made, but we wanted to share the song with you one way or another."
REI AMI Shows Off Her Vicious and Softer Sides in "Dictator" Video
January 22, 2020
"hello kitty with a knife."
ROLE MODEL Experiences Love at First Sight on "blind"
July 22, 2020
Breathtaking is the perfect word to describe ROLE MODEL's new single.
Still Woozy's "Get Down" Captures the Euphoria of Infatuation
July 16, 2021
This soon-to-be summer hit is a buoyant and casual reminder to follow your instincts and your heart.