From the Site
Eloise’s “Drunk on a Flight” Feels Like a Sunday Morning Reflection
January 20, 2023
“Drunk on a Flight” is the perfect blend of subtle pop and laidback jazz.
Author:
Tatum Van Dam
underscores Says Farewell to an Era With "'Count of three (You can eat $#@!)"
January 20, 2023
The standout track is co-produced by Benny Blanco, Cashmere Cat, and Dylan Brady of 100 gecs.
Author:
Alessandra Rincon
Gatlin Delivers a Stirring Ode to Coming in Second Place in "Still Not Me"
January 20, 2023
Gatlin is starting off the new year by cementing her signature sound—vulnerable folk-country pop
Author:
Giselle Libby
Phoneboy Explore Pitfalls Of Fame On New Single “Ferrari”
January 19, 2023
New Jersey indie rock band Phoneboy are kicking off their new album cycle in style and with a dash of existential dread with the release of their latest single, "Ferrari."
Author:
Alessandra Rincon
Issue 02: New Year, New Zine
January 18, 2023
We're kicking off the new year with a look back and a look forward at some of tomorrow's stars.
Author:
Ones To Watch Staff
hemlocke springs' "stranger danger!" Is a Daring, Intoxicating Follow-Up to Her Breakout Hit
January 18, 2023
“stranger danger!” is a song that oozes odd, demanding your attention to keep up with Springs' unraveling.
Author:
Jazmin Kylene
Meet Kiki Rockwell, an Innovative New Artist Fresh to New Zealand's Indie Scene
January 18, 2023
Kiki Rockwell is an innovative new artist fresh to New Zealand’s indie scene.
WILSN Lets Her Soul Run Free in “Those Days Are Over” [Premiere]
January 17, 2023
“It’s about trusting yourself, going with your gut and really believing you can do the thing you set out to do.”
Author:
DJ Connor
Joesef's Debut Album ‘Permanent Damage’ Is an Exercise in Hurt and Healing
January 17, 2023
'Permanent Damage' is a valiant debut effort by an artist unafraid to let his heart bleed.
Author:
Alessandra Rincon
JAWNY Hops Aboard the Never-Ending Rollercoaster of Love in “true”
January 17, 2023
"true" is a woozy lovesick outing that sees JAWNY making full use of his left-field talents.
Author:
Alessandra Rincon
Lous and The Yakuza's "Solo" Is the Personification of Silk
March 23, 2020
Lous and The Yakuza transcends the sleekness of velvet, silk, and satin, materializing a sonic plushness that is hard to resist.
Author:
Krista Marina Apardian
Jean Dawson Drops "BRUISE BOY," a Single For All the Kids Like Him
February 13, 2020
Dawson is without question one of the most exhilarating figures in the experimental pop scene.
Author:
Emily Smith
Juto Is Creating a Glittery Hybrid of Pop and R&B Romanticism [NEW ARTIST DISCOVERY]
April 19, 2019
A talent such as Juto's won't remain hidden behind anonymity for long.
Author:
Chuck Ramos
Kailee Morgue Covers Metric's "Black Sheep" for all Those Scott Pilgrim Stans Out There
August 9, 2019
"Black Sheep" is a testament to Morgue's impressive range, one that extends far beyond that of atmospheric pop numbers.
Author:
Maxamillion Polo
Brenn! Unleashes His Folk-Pop Sincerity in "Days on End"
November 14, 2024
At only 20 years old, one can only imagine what the future has in store for this rising folk-pop star.
Author:
Rebeccah Blau
Transcending TikTok: Stephen Sanchez's "Lady By The Sea" Lives Up to the Hype
July 7, 2020
The seventeen-year-old is here today with his highly anticipated song, "Lady by the Sea."
Author:
Jenna Singer
underscores Brings to the Life the World of 'Wallsocket'
September 27, 2023
"I emerged from an obsessive episode adopting this mentality that everything is beautiful... 'Wallsocket' is about realizing that most things are, but not everything is."
Author:
Alessandra Rincon
Oliver Tree Taught Fans to be Unapologetically Themselves at Los Angeles Valentine's Day Show
February 19, 2019
Oliver Tree breaks boundaries with his music, making fans uncomfortable in the best way possible.
Author:
Kayla Hefter
kmoe's "iced tea" Is a Vibrant Expression of Versatility
September 24, 2020
Vancouver-based 16-year-old kmoe refuses to be boxed in.
Author:
Tyler Borland
ODIE Rediscovers Himself in "Slowly"
February 4, 2020
"Slowly" serves as a gentle reminder both to ODIE and listeners alike that losing yourself is only a part of the process of creation.
Author:
Bianca Brown