From the Site
eee gee May Not Care But She Is 'Winning'
February 25, 2022
Winning oozes confidence in all the right ways.
adam brian paul's "Chillin in the Garden" Is Infectious Emotional Decay
February 25, 2022
There is a compositional fearlessness to "Chillin in the Garden" that mirrors deep therapy.
![ID:EARTH (ì•„ì´ë""ì - ¼ìŠ¤) Searches For Solace on "Home" [Q&A]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/idearth-home_1645809456.jpg)
ID:EARTH (ì•„ì´ë""ì - ¼ìŠ¤) Searches For Solace on "Home" [Q&A]
February 25, 2022
"I dedicate this song to my beloved Orion star."
Carlie Hanson's 'Tough Boy' Is a Portrait of Sonic and Personal Growth
February 24, 2022
<i>Tough Boy</i> is an album built around self-discovery in real-time.
Deb Never Gives a Voice to the Outsider on "Crutches"
February 24, 2022
"Crutches" is a reminder that even enigmatic forces like Never are still human.
![Restless Modern Pens a Ballad For an Always-Online Culture With "I Hate That I'm Addicted to the Internet" [Q&A]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/restless-modern-i-hate-that-im-addicted-to-the-internet_1645652712.jpg)
Restless Modern Pens a Ballad For an Always-Online Culture With "I Hate That I'm Addicted to the Internet" [Q&A]
February 23, 2022
Whether you're doomscrolling, dissociating, or chasing a fleeting dopamine high, this is the song for you.
Genres Don't Apply to Bryce Bishop
February 23, 2022
Bishop weaves together the threads of Midwest emo, anti-pop, hip-hop, and alternative to create a patchwork vision all his own.
![chromonicci. on SoundCloud, Making a Space For Himself, and Being Very Black [Q&A]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/chromonicci-artist-profile-ones-to-watch_1645645604.jpg)
chromonicci. on SoundCloud, Making a Space For Himself, and Being Very Black [Q&A]
February 23, 2022
chromonicci. takes us through the death of SoundCloud and carving out a space for himself in the beat scene.
93FEETOFSMOKE and Phem Are Sick and Tired of Being "Fucked Over"
February 22, 2022
"It sucks to get played by someone you trusted."
Shaun Ross and Amber Mark Explore the Fatality of Attraction on 'UNISEX'
February 22, 2022
From fashion, visual artists, to music, there is no stopping Shaun Ross.
Mimi Webb Dances the Pain Away in "Erase You"
August 7, 2024
"Erase You" is a carefree, triumphant breakup anthem.
Nessa Barrett Pens a Tender Love Letter in "LOVE LOOKS PRETTY ON YOU"
February 3, 2025
The single is like a valentine come to life.
Salty brings Confidence, Energy and Pop Perfection
April 3, 2025
Salty brings Confidence, Energy & Pop Perfection, and is Sydney's newest pop artist
“The Great Traitor” Is No Windows’ Sonic Coming-of-Age Capsule
May 9, 2025
Blending emotional depth with sophisticated soundscapes, the EP shares the duo’s poignant journey to adulthood.
PinkPantheress Delivers a Technicolor Pop Joyride in 'Fancy That'
May 10, 2025
“This tape marks a huge milestone for me as an artist.”
Maddy Davis Asks the Hard Hitting Questions in "What If?"
May 19, 2025
The single comes with the announcement of her forthcoming EP 'Smile At the Good,' releasing July 18th.
Gatlin Teases Debut Album with Latest Single “Jesus Christ and Country Clubs”
July 17, 2025
Gatlin is continuing to reflect on her time growing up queer in the South in her latest single “Jesus Christ and Country Clubs.”
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Knuckle Puck Announce 10th Anniversary Tour With New Single "Nice To Know Ya" | THE NOISE
February 3, 2025
Incorporating unconventional chords, a spoken verse, and push-pull lyrics, this bold experimentation is a testament to the band's unwavering commitment to keeping their audience on their toes.
Step Into Mollie Elizabeth's Time Machine in "Until We Meet Again"
May 25, 2025
Analogue, phone cords wrapped between your fingers, film cameras flashing... everything about Mollie Elizabeth harkens back to an era almost all of us weren’t alive to experience.
Ally Evenson Bares Her Most Taboo Thoughts In New Single “The Line”
July 21, 2025
The Detroit-raised, Los Angeles-based singer-songwriter has a history of pushing boundaries in her previous work, and this track is no different.