From the Site
Chelsea Collins Bids a Sweet Farewell to a Toxic Ex on "Wish U Hell"
January 26, 2022
"'Wish U Hell' evokes the nostalgic feeling of being nine years old, jumping on my bed, pretending I'm a rockstar."
DBMK Takes a Glass Half Full Look at the Apocalypse on "Chains"
January 26, 2022
DBMK wants us to take life seriously. But not too seriously.
Two Feet's Best Music Still Lies Beyond the Horizon
January 25, 2022
Two Feet is not content to simply be a legacy artist who shaped a genre.
![Meet Mo Etc., the Soulful Artist Bringing Her Sound to Wellington [Q&A]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/mo-etc-performance_1643134366.png)
Meet Mo Etc., the Soulful Artist Bringing Her Sound to Wellington [Q&A]
January 25, 2022
Mo Etc. represents a character heavily defined by a DIY ethos and expressions of curiosity.
Thomas Headon Navigates the Pitfalls of Infatuation on "How Do I Know?"
January 25, 2022
Headon propels us through his own helpless coming-of-age love story.
Holly Humberstone Attempts to Find a Place to Call Home on "London Is Lonely"
January 25, 2022
"I kind of lost myself in the city. I didn't exactly know who I was anymore."
dhruv's 'rapunzel' Is a Smoldering Coming-of-Age Story
January 24, 2022
"I'm not good at talking about myself, but music gives me agency."
Conan Gray's "Jigsaw" Is an Honest and Heartbreaking Diary Entry
January 24, 2022
"By the end of it all it I ended up looking in the mirror and barely recognizing my rearranged and twisted reflection."
Every Song Featured in Euphoria Season 2, Episode 3
January 24, 2022
A new episode of Euphoria brings with it joy, pain, and a stellar new tracklist.
Yeek Gets "Freaky" on Seductive New Single
January 21, 2022
Yeek breaks the boundaries of what music can do.
Kacy Hill Blossoms With Experimental Poise on "Seasons Bloom"
August 30, 2021
Equally invested in the past, present, and future, Hill's songwriting is a testament to the power of endurance.
Camille Schmidt's Debut EP 'Good Person' Is a Poignant Exploration of Self
June 14, 2024
"This EP is very much about looking back at all the things you’ve been through in your childhood, looking back on the different versions of yourself..."
Samantha Gongol Emerges With a Brutally Honest Banger in “Flash in the Pan”
October 31, 2024
“Flash in the Pan” demonstrates self-awareness, natural magnetism, and raw power.
"Cashmoney" Is No Rome's Impressive Fusion of Lush R&B and Charming Pop
April 18, 2019
The stimulating electronics paired with No Rome's soothing vocals in "Cashmoney" are more than enough to make us adore this rising Filipino talent.
Sachi Admires Internal Beauty Over Superficial Facades on "Rich Girls"
July 10, 2019
Sachi's blend of pop, R&B and alternative is a charming combination that is structured around the complexity of the human spirit.
Wes Period Returns From 18-Month Hiatus with the Melodic Anti-Pop "My Benz"
September 23, 2019
Wes Period is now officially back on the scene and ready to take the industry by storm.
![Dante Palminteri Gets Personal in Bittersweet "Far from Me" [Premiere]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/dante-palminteri-ones-to-watch_1573751058.jpg)
Dante Palminteri Gets Personal in Bittersweet "Far from Me" [Premiere]
November 14, 2019
"This music is inspired by growth and change.
Khamari's "The Heat" Is a Vibrant Display of Songwriting and Vocal Ability
August 5, 2020
Few artists have been able to strike such a strong balance between lyrical vulnerability and catchiness as newcomer Khamari.
![Amanda Brown on the Artists' Role in Society, COVID-19, and Advice to Young Women [Q&A]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/amanda brown copy_1609168595.jpg)
Amanda Brown on the Artists' Role in Society, COVID-19, and Advice to Young Women [Q&A]
December 28, 2020
Amanda Brown has had a hell of a career, but she wants you to know she is just getting started.
Valley Boy Sets the Tone for 2021 on "Sad Girl"
January 15, 2021
Valley Boy's illusory songwriting is on full display on their newest single "Sad Girl," their first single of the new year.