From the Site
Korean Electronic Artist CIFIKA is in a Lane Entirely of Her Own!
July 20, 2025
Korean electronic artist CIFIKA is in a lane entirely her own, crafting immersive soundscapes that blend otherworldly vocals, bold production, and a deep sense of cultural identity.
Whiskey Lies & Alibis: William Beckmann’s New Album Blends Heartache and Honky-Tonk Truths
July 19, 2025
William Beckmann’s major-label debut album, Whiskey Lies & Alibis, beautifully combines traditional country music with the rich roots of South Texas.
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From Situationships to Opening For Olivia Rodrigo, Ruti Gives Us the Latest [Q&A]
July 19, 2025
Their recent single, "Maybe I Got It Wrong," is a dreamy genre-bending tune.
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Step Inside the Allure of zekiizo, If You Dare [Q&A]
July 18, 2025
Wanting to learn more from this amorphous talent infusing mystery into downtempo pop, we sat down with her in NYC.
The Favors' "The Hudson" Is A Melancholic Homage to New York
July 18, 2025
The Favors, without question, continue to showcase their effervescent, narrative-rich sound with this second release.
The Aces continue to shine in latest single “Twin Flame”
July 18, 2025
The upbeat disco pop single dives into the complex feelings of holding on to something you should probably let go of.
Gatlin Teases Debut Album with Latest Single “Jesus Christ and Country Clubs”
July 17, 2025
Gatlin is continuing to reflect on her time growing up queer in the South in her latest single “Jesus Christ and Country Clubs.”
Dasha Writes an Ode to Her Younger Self in “Oh, Anna!”
July 17, 2025
Using her newfound confidence from success to find her sound, Dasha is consistently proving herself as a country singer-songwriter who’s undoubtedly one to watch.
![On 'George,' Jake Minch Recoils, Self-Loathes, Falters, and Learns to Love Through His Growing Pains [Q&A]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/jake-_minch-by-_adali-_schell-2-1170x780-1753134366.jpg)
On 'George,' Jake Minch Recoils, Self-Loathes, Falters, and Learns to Love Through His Growing Pains [Q&A]
July 17, 2025
In this in-depth discussion on Minch's album, we learn about middle-of-the-country syndrome, a Kurt Vile obsession, and sleeping with the door open.
Olivia Dean Embraces Change in “Lady Lady”
July 17, 2025
“Lady Lady,” the second single from Olivia Dean’s upcoming and highly anticipated sophomore album, The Art of Loving, is a graceful ode to feminine strength.
Phabo's "LNF" Is Cuffing Season Approved
December 15, 2020
Los Angeles singer Phabo has arrived with his cuffing season approved jam "LNF."
Mills' "Hollow" is a Brutally Honest Confessional
January 12, 2021
Drawing inspiration from the 70's era of Laurel Canyon, Mills' latest release, "Hollow," is an honest dissection of a toxic relationship.
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Elujay Crystalizes Two Years of Trial and Error on 'Circmvnt' [Q&A]
February 1, 2022
"It's just me telling my story, who I am, and what I went through."
Niki Demar Channels the Early 2000's Disney Channel Star Era With "Pregame"
November 1, 2022
“Pregame” brings Demar one step closer to becoming a certified hitmaker.
Wallice’s 'Mr Big Shot' Is a Coming-of-Age Triumph
June 27, 2023
Wallice balances the fatigue and frustration of coming into adulthood to visceral effect.
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Grave Secrets "Fuck Shit Up" On New Riot-Inducing Single | THE NOISE
October 5, 2023
LA punk and post-hardcore band Grave Secrets are ready to rage in their latest single, "Fuck Shit Up."
Kevin Abstract's 'Blanket' Feels Like the Album He's Been Waiting Ages to Make
November 7, 2023
Abstract guides listeners through a genre-less journey of alternative ingenuity.
MICHELLE Finally Lets Go in the Dreamy and Bittersweet “NEVER AGAIN”
January 16, 2024
“NEVER AGAIN” contains all the sorrow and beauty found in letting go.
Swansea Skag's 'the fundamentals of disappearing' Is Measured Chaos
February 20, 2024
Swansea Skag has learned how to paint with production, marrying electronic and organic influences with a deft hand.
Hot Mulligan Release Absurd Anti-Establishment Anthem "Stickers Of Brian" | THE NOISE
March 22, 2024
The new single is an energetic and dynamic track that expresses frustration with the monotony and tyrannical misery of a thankless day job, with comedy, sexuality, and capitalistic dread seeping throughout.