From the Site
Christian Leave Basks in the Beauty of Life on 'Days Like Lost Dogs'
November 3, 2021
"I don't know where I'm going but I know who I am!"
SSGKobe's "Caddy" is 100 CC's of Aural Bliss
November 3, 2021
Goodbye Libra season, hello SSGKobe season.
Mark Ambor Makes For Good "Company"
November 3, 2021
"The idea is simple: life is better with each other."
Maggie Lindemann Is a Future Pop-Punk Icon and "She Knows It"
November 1, 2021
Lindemann is emerging as one of pop-punk's most subversive forces.
All FRENSHIP and Lauren Sanderson Want You to Do Is "Try"
November 1, 2021
Try" is a perfect example of FRENSHIP's clear craft.
Carlie Hanson Shaves Off Any and All Labels on the Deb Never-Assisted "Snot"
October 29, 2021
"I'm showing everyone that I can look however I want - no labels."
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KiNG MALA Says Fuck Fuck Boys on "Golden Retriever Boy"
October 29, 2021
"It's about betrayal and watching someone fall from the pedestal you put them on. It's also about fuck boys... fuck fuck boys."
Tebi Rex Plant Their Roots on the Emotional Journey 'It's Gonna Be Okay'
October 29, 2021
Broken into three parts, <i>It's Gonna Be Okay</i> lacks a true resolution but does not lack when it comes to emotional pathos.
Amelia Moore's "Sweet & Sour" Is Your Spooky Girl Fall Anthem
October 29, 2021
Hello, world. Meet the one and only Amelia Moore.
NOà‹P Enlists Emily Roberts For "Kids," an Infectious Call to Arms
October 29, 2021
Originally written after Trump's departure from the Paris Agreement, "Kids" tackles the weight of climate change.
![april june Releases Dreamy “afterparty” EP [Q&A]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/20250727__l_m__april_june_00170__sony-1761251741.jpg)
april june Releases Dreamy “afterparty” EP [Q&A]
October 24, 2025
From drawing inspiration from film to exposing her most vulnerable thoughts, the 6 track collection evokes a visceral reaction from the very first moment.
Skuzland's "Tell Me You Love Me" Visualizes the Skewed Reality of Unrequited Love
October 24, 2025
There's a stellar cast of collaborations on the music video as well, including Emmy award-winning director Chris Klimovski.
Alice Phoebe Lou Returns to Her Roots on Album, Oblivion
October 24, 2025
Alice Phoebe Lou’s sixth album, Oblivion, reaches past the unrelenting noise of modern life.
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Dev Lemons talks Debut Album SURFACE TENSION, Upcoming Tour, and Artificial Moon Theory [Q+A]
October 25, 2025
Dancing between alternative emo rock and pop, Dev explores heartache, anger, and confidence, all while being loud and unapologetic.
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WATCH: letlive. Return For New Explosive Something Loud Session [EXCLUSIVE] | THE NOISE
October 28, 2025
After a long and strenuous eight-year hiatus, post-hardcore noisemakers letlive. are finally back playing shows together reminding people just what we were all missing in our lives without them.
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Jack Kane's Latest EP Is An ...Obvious... Hit [Q&A]
October 27, 2025
His latest EP, Obvious, dolls out a dose of heartache and anxious behaviors that meshes into a menagerie of pop goodness.
Video Premiere: “Forgiveness Is” by Doe Paoro ft. Conversation with Maiah Manser
October 28, 2025
Together, Doe Paoro and Maiah explore the threads that tie their worlds: forgiveness, the collapse and rebirth of systems, social media’s strange intimacy, and the ways music continues to serve as a healing modality for both artist and listener.
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Charlotte Sands Explores Transcending Love On New Single "Afterlife" | THE NOISE
October 1, 2025
Charlotte Sands further cements her reputation as a boundary-pushing force in alt-pop on her latest single, "Afterlife."
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Taylor Acorns Is "Crashing Out" On Fiery New Single Ahead New LP | THE NOISE
September 22, 2025
Nashville-based pop-punk artist Taylor Acorn shares cathartic offering "Crashing Out," capturing the chaos of a volatile, touch-and-go romance.
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Ben Quad Explore The Pain Of Grief On New Single "Painless" | THE NOISE
October 6, 2025
The easily recognizable 2000s pop-punk and emo influences mixed with Ben Quad's signature midwestern spirit make "Painless" feel equally cathartic and authentic.