From the Site
Tate McRae and Audrey Mika Affirm SAYGRACE's Hunch That "Boys Ain't Shit"
April 3, 2020
Is your man leaving you on read even though being on our phones is the only thing left to do?
Author:
Emily Smith
Yaeji Emerges as a Singular Voice in House Music With 'What We Drew 우리가 ê·¸ë ¤ì™"ë˜'
April 2, 2020
"Each track is almost like a snippet of my life, a look into my diary or something..."
Author:
Maxamillion Polo
How We Are Staying Safe and Sane in the Age of Quarantine | Staff Article
April 2, 2020
From Animal Crossing to foreign films, this is how our staff is passing the time spent in self-isolation.
Author:
Staff
The Driver Era Balance Vulnerability and Euphoria in New Double Release
April 2, 2020
The Driver Era regularly balance classic anthemic prowess and heartfelt vulnerability with flawless ease.
Author:
Maxamillion Polo
Isaac Dunbar Does Not Want to Be "comme des garćons (like the boys)"
April 2, 2020
Dunbar's french pop-tinged outing is "a huge middle finger" to societal gender roles.
Author:
Emily Smith
Alec Wigdahl Is Cutting Through the Noise
April 1, 2020
Wigdahl is evolving alongside the pop genre itself.
Author:
Chuck Ramos
Powfu Drops Visual For Viral Breakout Hit "death bed"
April 1, 2020
The beabadoobee-assisted breakout single gets a heartbreaking music video.
Author:
Maxamillion Polo
Amber Mark Covers Nirvana's "Heart-Shaped Box" For "Covered-19" Series
April 1, 2020
Mark reimagines a grunge staple as a velvety-smooth slow jam.
Author:
Maxamillion Polo
John-Robert Is the Small-Town Teen Poised to Become the Next Big Singer-Songwriter [Q&A]
April 1, 2020
John-Robert on his obsession with Swedish Fish and what he has been doing to prepare for COVID-19.
Author:
Kristin Robinson
Top That Track Closes Out Women's History Month With 'An Ode to the Ladies'
March 31, 2020
This episode of Top That Track is entirely dedicated to female artists: both bands and solo acts.
Author:
Precious Kato
Bright Future & Bigger Shows: Meet Me @ The Altar On What's Next [Q&A] | The Noise
June 15, 2022
Meet Me @ The Altar has been boldly breaking barriers for future generations of music lovers since forming online in 2015.
Author:
Moe Horta
Get to know DREA in Five Minutes or Less
October 20, 2023
"Most of the time I talk about not knowing what I’m doing but I’m having fun doing it."
Author:
Jessica Magtalas
PinkPantheress Samples a Selena Classic in the Effervescent "Turn It Up"
May 24, 2024
With a beat inspired by the iconic Selena track "Dreaming of You" and "Genie" by Girls Generation, PinkPantheress crafts a unique love story.
Author:
Alessandra Rincon
Walter The Producer Steps Into the Spotlight in 'PLEASE HELP ME I'M SCARED' [Q&A]
June 13, 2024
"Me THREE years ago just wanted to produce for people, I wasn’t trying to do all of this."
Author:
Jazmin Kylene
Mk.gee Returns With the Beautiful and Blurry “ROCKMAN”
October 21, 2024
Mk.gee is honing in on a sound that is distinctive, dreamlike, and always leaves listeners craving more.
Author:
Gia Acosta
Innovative Rocker grandson Has No Need to "Apologize"
February 1, 2019
"I first began working on this back in 2016 without a song out, broke and lost, for all the grandkids I hoped one day to meet, to tell the world we will not apologize for who we are."
Author:
Alissa Arunarsirakul
Adam Melchor Pours Love for Friend's Sobriety in Folky "Three Hours Ahead"
February 11, 2019
"Three Hours Ahead sets in stone Melchor's tenacious songwriting skills.
Author:
Andra Nechita
Adam Melchor Re-Imagines the Modern Love Song with Folky "Plan On You"
March 6, 2019
As it rains heavily in Los Angeles, we cannot help but find comfort in hot chocolate, warm blankets and Adam Melchor's intoxicating new single.
Author:
Andra Nechita
Ashe on John Mayer, Cookie Butter, and Her Trip to the Gynecologist | Quick 6
March 6, 2019
This is a thing or six you would not believe about rising pop artist Ashe.
Author:
Maxamillion Polo
Witness an Epic Moment of Self-Realization in Mothica's "Love Me Better" Visual [PREMIERE]
August 16, 2019
"'Love Me Better' started out as a love song about someone else and ended as an anthem for my own self-empowerment."
Author:
Miranda Hyman