{"id":1234,"date":"2026-03-18T05:05:07","date_gmt":"2026-03-18T05:05:07","guid":{"rendered":"https:\/\/resources.onestowatch.com\/get-indie-songs-on-playlists\/"},"modified":"2026-09-15T05:07:41","modified_gmt":"2026-09-15T05:07:41","slug":"get-indie-songs-on-playlists","status":"publish","type":"post","link":"https:\/\/onestowatch.com\/live\/get-indie-songs-on-playlists\/","title":{"rendered":"How To Get My Indie Songs On Popular Playlists"},"content":{"rendered":"<p><em>Last updated: September 14, 2026<\/em><\/p>\n<h2 id=\"key-takeaways\">Key Takeaways<\/h2>\n<ul>\n<li>Playlist placement works as a momentum system driven by pre-release timing, targeted curator outreach, and listener signals like saves and completion rate.<\/li>\n<li>Upload your release 3\u20134 weeks early, then pitch in Spotify for Artists 7\u201314 days before release to maximize editorial and algorithmic opportunities.<\/li>\n<li>Independent curators can be pitched before or after release. Use the \u201cDiscovered On\u201d method to find and vet 10\u201320 genre-matched playlists with healthy follower-to-listener ratios.<\/li>\n<li>After release, focus on driving saves and engagement during the first 28 days to trigger algorithmic playlists like Release Radar and Discover Weekly.<\/li>\n<\/ul>\n<h2>The Three Playlist Tiers And What Each Realistically Does For An Indie Artist<\/h2>\n<p><a href=\"https:\/\/theblackturn.com\/blogs\/spotify-editorial-playlist-pitching-guide\" target=\"_blank\" rel=\"noindex nofollow\">Spotify&#8217;s playlist ecosystem divides into three distinct tiers<\/a>, each with separate mechanics, gatekeepers, and timelines.<\/p>\n<p><strong>Editorial Playlists<\/strong>, such as New Music Friday and RapCaviar, are curated by <a href=\"https:\/\/orphiq.com\/resources\/spotify-playlist-submission-guide\" target=\"_blank\" rel=\"noindex nofollow\">Spotify&#8217;s in-house team of genre, lifestyle, and culture specialists<\/a>. The only path to consideration is the free pitch tool inside Spotify for Artists, submitted before release. <a href=\"https:\/\/playlistgrow.com\/blog\/how-to-pitch-spotify-editorial-playlists\" target=\"_blank\" rel=\"noindex nofollow\">Spotify&#8217;s global head of editorial, Sulinna Ong, has confirmed that a real staff member reads every pitch submission<\/a>. The system does not filter pitches with bots before human review.<\/p>\n<p><strong>Algorithmic Playlists<\/strong>, including Release Radar, Discover Weekly, and Radio, <a href=\"https:\/\/theblackturn.com\/blogs\/spotify-editorial-playlist-pitching-guide\" target=\"_blank\" rel=\"noindex nofollow\">cannot be pitched to directly through Spotify for Artists<\/a>. Placement comes entirely from listener behavior signals such as saves, playlist adds, repeat plays, completion rate, and follower engagement.<\/p>\n<p><strong>Independent Curator Playlists<\/strong> are human-run, often genre-specific, and accept direct pitches before or after release. <a href=\"https:\/\/rapture-records.com\/spotify-algorithm-guide\" target=\"_blank\" rel=\"noindex nofollow\">For most independent artists, algorithmic playlists reach far more listeners than editorial placement<\/a>. Yet artists typically focus their energy on editorial.<\/p>\n<blockquote>\n<p><strong>Insider Tip:<\/strong> <a href=\"https:\/\/orphiq.com\/resources\/spotify-playlist-submission-guide\" target=\"_blank\" rel=\"noindex nofollow\">Even if a Spotify editorial pitch is not selected, submitting it ensures the release is delivered to followers&#8217; Release Radar<\/a>. The pitch process feeds the algorithmic system regardless of the editorial outcome.<\/p>\n<\/blockquote>\n<blockquote>\n<p><strong>Common Pitfall:<\/strong> Treating a rejected editorial pitch as a failed release. The pitch still feeds the algorithmic system, and the submission supplies Spotify with additional descriptive metadata that the platform uses to recommend the artist&#8217;s music to new listeners.<\/p>\n<\/blockquote>\n<h2>The Pre-Release Timeline: What To Do 4 Weeks, 2 Weeks, And 7 Days Out<\/h2>\n<p><a href=\"https:\/\/orphiq.com\/resources\/spotify-playlist-submission-guide\" target=\"_blank\" rel=\"noindex nofollow\">Third-party pitching guides recommend uploading a release to your distributor at least 3\u20134 weeks before release day<\/a>, while Spotify&#8217;s official minimum eligibility window is 7 days. This early upload creates the foundation. <a href=\"https:\/\/orphiq.com\/resources\/spotify-playlist-submission-guide\" target=\"_blank\" rel=\"noindex nofollow\">The pitch option in Spotify for Artists only becomes available once the release appears in the dashboard, typically 1\u20137 days after distributor upload<\/a>. Spotify&#8217;s official minimum lead time for pitching an unreleased song is at least 7 days before release, and pitching within this window also gets the song added to followers&#8217; Release Radar playlists.<\/p>\n<p><a href=\"https:\/\/orphiq.com\/resources\/spotify-playlist-submission-guide\" target=\"_blank\" rel=\"noindex nofollow\">The Spotify for Artists pitch form&#8217;s free-text field allows about 500 characters and is a key element of the pitch<\/a>. Placed pitches typically come in well under 300 characters. The contrast between a weak and a strong pitch is clear.<\/p>\n<p><strong>Weak:<\/strong> &#8220;This is my best song yet. I have been working hard and I know it will connect with listeners.&#8221;<\/p>\n<p><strong>Strong:<\/strong> &#8220;Lo-fi R&amp;B with pitched-down vocals over a jazz piano sample. Lyrics about the specific loneliness of moving to a new city alone. Similar energy to early Frank Ocean demos. Music video directed by [name] dropping release week.&#8221;<\/p>\n<p><a href=\"https:\/\/melodicmind.co\/guides\/pitch-spotify-editorial-playlists\" target=\"_blank\" rel=\"noindex nofollow\">Placed pitches almost universally come in well under 300 characters<\/a>. Long pitches read like marketing copy. Short pitches read like a friend describing a song. Editors select songs for playlists. They do not evaluate careers.<\/p>\n<blockquote>\n<p><strong>Insider Tip:<\/strong> <a href=\"https:\/\/orphiq.com\/resources\/spotify-playlist-submission-guide\" target=\"_blank\" rel=\"noindex nofollow\">Select the most specific genre and subgenre options available, such as &#8220;Indie Pop&#8221; or &#8220;Bedroom Pop&#8221; rather than &#8220;Pop&#8221;<\/a>. Specific tags give editors a clearer picture of which playlist the song fits.<\/p>\n<\/blockquote>\n<blockquote>\n<p><strong>Common Pitfall:<\/strong> <a href=\"https:\/\/playlistgrow.com\/blog\/how-to-pitch-spotify-editorial-playlists\" target=\"_blank\" rel=\"noindex nofollow\">Pitching 24\u201348 hours before release often misses Release Radar entirely and yields essentially no editorial odds<\/a> because playlists are already locked.<\/p>\n<\/blockquote>\n<p>For a look at artists who have navigated this process successfully, <a href=\"https:\/\/www.onestowatch.com\/en\/blog\/the-top-30-artists-to-watch-in-2026\" target=\"_blank\"><strong>check out OnesToWatch&#8217;s Top Artists To Watch in 2026<\/strong><\/a>.<\/p>\n<h2>How To Find Independent Playlist Curators<\/h2>\n<p>The &#8220;Discovered On&#8221; method offers a reliable way to build a targeted curator list without guessing. Here is the process:<\/p>\n<ol>\n<li>Look up comparable artists in your exact genre with 1,000\u201310,000 monthly listeners.<\/li>\n<li>Open their &#8220;Discovered On&#8221; section in Spotify for Artists.<\/li>\n<li>Identify which playlists actually feature them.<\/li>\n<li>Click through to the playlist and note the curator&#8217;s profile, other playlists, and any submission information in the bio.<\/li>\n<li>Check the playlist&#8217;s last updated date, follower-to-listener ratio, and whether the other tracks match your sound.<\/li>\n<\/ol>\n<p><a href=\"https:\/\/playlistsupply.com\/blog\/playlist-curator-contact-guide\" target=\"_blank\" rel=\"noindex nofollow\">About 60\u201370% of contactable independent playlist curators publish their submission email or DM handle directly in the Spotify playlist description<\/a>. This description is the single most common place to find contact info. If a curator publishes no contact info in the playlist description, Spotify profile bio, linked website, or social profiles, treat the playlist as closed to submissions and move on.<\/p>\n<p>Vetting a curator goes beyond avoiding scams. <a href=\"https:\/\/playlistsupply.com\/blog\/playlist-curator-contact-guide\" target=\"_blank\" rel=\"noindex nofollow\">Check follower-to-monthly-listener ratio, update cadence, track count stability, sonic match, and curator contact transparency<\/a>. These checks matter because <a href=\"https:\/\/songcurator.com\/guides\/avoid-payola-scams\" target=\"_blank\" rel=\"noindex nofollow\">Spotify&#8217;s Platform Rules explicitly forbid payola, which means paying to land on a playlist<\/a>, and <a href=\"https:\/\/playlistgrow.com\/blog\/free-playlist-submission-spotify-vs-paid-promotion\" target=\"_blank\" rel=\"noindex nofollow\">Spotify&#8217;s official guidance states that no third party can get a song prioritized in Spotify&#8217;s recommendations regardless of what they claim<\/a>.<\/p>\n<p>For artists seeking a human-curated alternative, <a href=\"https:\/\/www.onestowatch.com\/\" target=\"_blank\">OnesToWatch<\/a> represents a different category entirely. Its playlists rely on an analog, human-listening process, not algorithmic filler. The pipeline runs from playlist inclusion to featured artist coverage to yearly &#8220;Class Of [Year]&#8221; selection. <a href=\"https:\/\/www.onestowatch.com\/\" target=\"_blank\">OnesToWatch<\/a> covers around 300 artists per year via features, with roughly 20 making the yearly selection. Over the past 10 years, <a href=\"https:\/\/www.onestowatch.com\/\" target=\"_blank\">OnesToWatch<\/a> has covered 850+ artists, and about 1% have moved from small venues to arenas, including alumni such as Chappell Roan, Billie Eilish, and Doechii.<\/p>\n<blockquote>\n<p><strong>Insider Tip:<\/strong> <a href=\"https:\/\/orphiq.com\/resources\/spotify-playlist-submission-guide\" target=\"_blank\" rel=\"noindex nofollow\">A 5,000-follower niche playlist where your song fits can generate better engagement metrics than a 200,000-follower playlist where it is out of place<\/a>. Skips from mismatched listeners hurt an artist&#8217;s algorithmic profile.<\/p>\n<\/blockquote>\n<blockquote>\n<p><strong>Common Pitfall:<\/strong> Blasting 100 random curators. <a href=\"https:\/\/orphiq.com\/resources\/spotify-playlist-submission-guide\" target=\"_blank\" rel=\"noindex nofollow\">Submit to 10\u201320 well-targeted playlists per release instead<\/a>.<\/p>\n<\/blockquote>\n<h2>What To Do After Release: The Post-Release Playbook<\/h2>\n<p>Editorial pitching closes the moment a track goes live. Independent curator outreach remains fully open after release. <a href=\"https:\/\/playlistsupply.com\/blog\/how-to-pitch-spotify-playlists\" target=\"_blank\" rel=\"noindex nofollow\">Unlike Spotify&#8217;s pre-release-only editorial system, curator outreach can be done before or after release<\/a>. This flexibility makes curator outreach the primary lever for extending a track&#8217;s momentum past release week.<\/p>\n<p>A rejection-response protocol keeps your campaign moving. A rejected editorial pitch does not mean a failed release. <a href=\"https:\/\/melodicmind.co\/guides\/pitch-spotify-editorial-playlists\" target=\"_blank\" rel=\"noindex nofollow\">Editorial placement functions as a multi-release relationship game, and editors who saw a rejected pitch will see the artist&#8217;s name again on the next release<\/a>. Use the rejection as a signal to sharpen the next pitch&#8217;s specificity. Keep supporting the current track with curator outreach and fan engagement.<\/p>\n<blockquote>\n<p><strong>Insider Tip:<\/strong> <a href=\"https:\/\/melodicmind.co\/guides\/pitch-spotify-editorial-playlists\" target=\"_blank\" rel=\"noindex nofollow\">Editorial placement is a multi-release relationship game.<\/a> Editors who saw a rejected pitch will see your name again on the next release.<\/p>\n<\/blockquote>\n<blockquote>\n<p><strong>Common Pitfall:<\/strong> Abandoning a track after release week. <a href=\"https:\/\/rapture-records.com\/spotify-algorithm-guide\" target=\"_blank\" rel=\"noindex nofollow\">The first 28 days post-release are the highest-leverage period for algorithmic pickup<\/a>. <a href=\"https:\/\/rapture-records.com\/spotify-algorithm-guide\" target=\"_blank\" rel=\"noindex nofollow\">Days 0\u20137 bring Release Radar pushes, Days 7\u201314 trigger Radio inclusion evaluation if save rate is strong, and Days 14\u201328 bring Discover Weekly evaluation<\/a>.<\/p>\n<\/blockquote>\n<h2>The Signals That Trigger Algorithmic Playlists<\/h2>\n<p><a href=\"https:\/\/dynamoi.com\/learn\/spotify-algorithm\" target=\"_blank\" rel=\"noindex nofollow\">Saves to library and playlist adds are the strongest positive signals for Spotify&#8217;s algorithm<\/a>. Complete listens, repeat plays, and follows also act as high-value signals. Shares carry moderate weight, while skips before 30 seconds are a confirmed negative signal. Together, these inputs determine whether a track triggers Release Radar and Discover Weekly. Playlisting fuels algorithmic playlists rather than serving as the finish line.<\/p>\n<p>Practical, non-cringe ways to ask existing fans for these signals include a save request in a release-day email, a pre-save link in the weeks before release, and a short ask at a live show. The framing matters. Ask fans to save the track so they can find it again, rather than asking them to support you.<\/p>\n<blockquote>\n<p><strong>Insider Tip:<\/strong> <a href=\"https:\/\/rapture-records.com\/spotify-algorithm-guide\" target=\"_blank\" rel=\"noindex nofollow\">A track with 10,000 streams and an 8% save rate outperforms a track with 100,000 streams and a 0.3% save rate in Spotify&#8217;s algorithmic ranking<\/a>. Save rate matters more than absolute stream count.<\/p>\n<\/blockquote>\n<blockquote>\n<p><strong>Common Pitfall:<\/strong> Chasing streams instead of saves. <a href=\"https:\/\/nowlistenpr.com\/blog\/spotify-playlist-pitching-services-uk\" target=\"_blank\" rel=\"noindex nofollow\">Streams without saves and follows are a vanity metric<\/a>.<\/p>\n<\/blockquote>\n<h2>SubmitHub Vs Groover Vs Direct Outreach<\/h2>\n<p>Each channel serves a different function in a release campaign. None replaces a complete strategy.<\/p>\n<p><strong>SubmitHub<\/strong> <a href=\"https:\/\/orphiq.com\/resources\/independent-playlist-curators\" target=\"_blank\" rel=\"noindex nofollow\">connects artists to curators and blogs for a fee per submission, with curators required to listen and provide feedback within 48\u201372 hours or credits are returned<\/a>. <a href=\"https:\/\/playlistgrow.com\/blog\/free-playlist-submission-spotify-vs-paid-promotion\" target=\"_blank\" rel=\"noindex nofollow\">Premium credits average roughly 5\u20138% acceptance across all outlet types<\/a>. SubmitHub works best when you have a finished master, correct metadata, and a release date at least two weeks out.<\/p>\n<p><strong>Groover<\/strong> operates a similar model with a European focus. <a href=\"https:\/\/intonality.com\/blog\/best-playlist-promotion-services\" target=\"_blank\" rel=\"noindex nofollow\">The platform guarantees feedback from every curator within 7 days at roughly \u20ac2 per submission<\/a>, and coverage extends to press contacts and radio alongside playlists.<\/p>\n<p><strong>Direct Outreach<\/strong> is free but slower. Its conversion rate depends entirely on the quality of research and personalization. <a href=\"https:\/\/playlistsupply.com\/blog\/playlist-curator-contact-guide\" target=\"_blank\" rel=\"noindex nofollow\">Mass-emailing scraped playlist contacts yields a response rate of roughly 0.3%<\/a>. Disciplined personalized outreach to 20\u201340 vetted curators per release produces meaningfully better results.<\/p>\n<blockquote>\n<p><strong>Insider Tip:<\/strong> Run your free Spotify for Artists editorial pitch first. <a href=\"https:\/\/nowlistenpr.com\/blog\/spotify-playlist-pitching-services-uk\" target=\"_blank\" rel=\"noindex nofollow\">The single most common mistake artists make is spending money on independent curator platforms before completing the free Spotify for Artists editorial pitch<\/a>.<\/p>\n<\/blockquote>\n<blockquote>\n<p><strong>Common Pitfall:<\/strong> Treating a paid submission platform as a substitute for a full release strategy. Curator pitching amplifies what already works. It does not fix a track with poor completion rates.<\/p>\n<\/blockquote>\n<h2>Scam-Vetting Checklist<\/h2>\n<p><a href=\"https:\/\/playlistgrow.com\/blog\/free-playlist-submission-spotify-vs-paid-promotion\" target=\"_blank\" rel=\"noindex nofollow\">Spotify&#8217;s official guidance states that marketing services promising streams or playlist placements in exchange for a fee are scams to be avoided, and that using them can result in the artist&#8217;s music being pulled from the platform entirely<\/a>. The following red flags identify illegitimate services:<\/p>\n<ul>\n<li>Guaranteed placement for payment. <a href=\"https:\/\/songcurator.com\/guides\/avoid-payola-scams\" target=\"_blank\" rel=\"noindex nofollow\">Spotify has shut down hundreds of accounts for offering guaranteed placement on specific playlists<\/a>.<\/li>\n<li>Requests for streaming bots or guaranteed stream counts.<\/li>\n<li>Curators who ask for money to add you to an &#8220;editorial&#8221; playlist. <a href=\"https:\/\/orphiq.com\/resources\/spotify-playlist-submission-guide\" target=\"_blank\" rel=\"noindex nofollow\">Spotify&#8217;s editorial process is free through Spotify for Artists, so anyone charging for editorial access is lying<\/a>.<\/li>\n<li>Playlists with inflated follower counts but no real engagement.<\/li>\n<li>Services that will not show you the playlists upfront.<\/li>\n<li>Pricing that scales with stream count rather than campaign effort.<\/li>\n<\/ul>\n<blockquote>\n<p><strong>Insider Tip:<\/strong> <a href=\"https:\/\/songcurator.com\/guides\/avoid-payola-scams\" target=\"_blank\" rel=\"noindex nofollow\">Check the followers-to-active-listeners ratio. A playlist with 50,000 followers but only 100 monthly listeners is almost certainly fake.<\/a><\/p>\n<\/blockquote>\n<blockquote>\n<p><strong>Common Pitfall:<\/strong> Paying for &#8220;guaranteed&#8221; placement. <a href=\"https:\/\/playlistsupply.com\/blog\/playlist-curator-contact-guide\" target=\"_blank\" rel=\"noindex nofollow\">This violates Spotify&#8217;s terms of service and can result in your music being pulled from the platform.<\/a><\/p>\n<\/blockquote>\n<h2>Measurable Outcomes And Next Steps<\/h2>\n<p>Success after applying this playbook looks concrete. You have submitted a pre-release editorial pitch with specific genre tags and a story-driven description under 300 characters. You have built a vetted curator list of 10\u201320 active playlists with healthy follower-to-listener ratios. You have run a release-week signal push that asks existing fans to save the track. You have created a post-release re-pitch plan targeting curators who accept released tracks.<\/p>\n<p>The next layer of career development involves artist features, live performance visibility, and sustainable industry recognition. That stage requires a platform that validates authentic artistry through human listening, not algorithmic sorting. <a href=\"https:\/\/www.onestowatch.com\/\" target=\"_blank\">OnesToWatch<\/a> offers that platform, with a structured pipeline from playlist inclusion to featured coverage to yearly selection that algorithms cannot replicate.<\/p>\n<p><a href=\"https:\/\/www.onestowatch.com\/en\" target=\"_blank\"><strong>See who made the OnesToWatch 2026 artist watchlist<\/strong><\/a> and study how their release strategies build momentum.<\/p>\n<h2>Frequently Asked Questions (FAQ)<\/h2>\n<h3>How Do I Get My Songs On Playlists If My Release Already Came Out?<\/h3>\n<p>Editorial pitching closes the moment a track goes live, so a released song is no longer eligible for Spotify&#8217;s editorial pitch tool. Independent curator outreach remains fully open after release, and many curators prefer to hear finished, released tracks. Focus on curators who state that they accept released music, and highlight any early data such as save rate or fan reactions. Then plan your next release with the full pre-release timeline in mind so you can execute the editorial pitch correctly next time.<\/p>\n<h3>How Many Streams Do You Need To Get On Discover Weekly?<\/h3>\n<p>There is no official minimum stream count. Discover Weekly functions entirely through algorithmic responses to listener signals such as saves, completion rate, repeat listens, and shares from listeners who discovered you through other playlists. Consistent releasing and strong engagement metrics matter more than raw stream count. <a href=\"https:\/\/musicpulse.app\/blog\/release-radar-vs-discover-weekly-vs-radio-whats-the-difference\" target=\"_blank\" rel=\"noindex nofollow\">Artists who release at least one track per month and maintain strong save rates are significantly more likely to appear on Discover Weekly than artists releasing infrequently with high stream counts but low engagement<\/a>.<\/p>\n<h3>Is SubmitHub Worth It For Indie Artists?<\/h3>\n<p>SubmitHub can help when used strategically. Acceptance rates vary by genre, with some niches seeing higher approval than others. Focus your credits on curators whose playlists match your exact subgenre and mood. Track which outlets respond well to your sound so you can prioritize them on future releases instead of spreading credits thinly across unrelated playlists.<\/p>\n<h3>How To Tell If A Playlist Curator Is Legitimate?<\/h3>\n<p>Check the playlist&#8217;s last updated date, follower-to-listener ratio, and whether the other tracks match your sound. A legitimate curator usually maintains a consistent genre lane, publishes a real contact method in the playlist description or bio, and keeps a public profile with a verifiable identity. Anyone who guarantees placement for payment is a red flag under Spotify&#8217;s own terms of service. As noted in the scam-vetting checklist, a large follower count paired with very few monthly listeners signals likely fake engagement.<\/p>\n<h3>Can You Pay To Get On Spotify Editorial Playlists?<\/h3>\n<p>You cannot buy editorial placement. <a href=\"https:\/\/playlistgrow.com\/blog\/free-playlist-submission-spotify-vs-paid-promotion\" target=\"_blank\" rel=\"noindex nofollow\">Spotify&#8217;s official guidance states that editorial placement cannot be bought, and that no third party can get a song prioritized in Spotify&#8217;s recommendations regardless of what they claim<\/a>. <a href=\"https:\/\/nowlistenpr.com\/blog\/spotify-playlist-pitching-services-uk\" target=\"_blank\" rel=\"noindex nofollow\">The only path to editorial consideration is the free pitch tool inside Spotify for Artists, submitted at least 7 days before release<\/a>. Anyone charging for editorial access is lying, and using such services can result in your music being pulled from the platform entirely.<\/p>\n<section data-read-next=\"true\">\n<h2>Read Next<\/h2>\n<ul>\n<li><a href=\"https:\/\/resources.onestowatch.com\/indie-talent-spotify-discovery\" target=\"_blank\">Best Spotify Playlists to Get Discovered as an Indie Artist<\/a><\/li>\n<li><a href=\"https:\/\/resources.onestowatch.com\/get-underground-indie-spotify-playlists\" target=\"_blank\">How to Get Underground Indie Tracks on Spotify Playlists<\/a><\/li>\n<li><a href=\"https:\/\/resources.onestowatch.com\/top-indie-playlists-submit-2026\" target=\"_blank\">Best Curated Indie Artist Playlists to Submit Music in 2026<\/a><\/li>\n<li><a href=\"https:\/\/resources.onestowatch.com\/indie-music-playlist-curation\" target=\"_blank\">Best Indie Music Playlist Curation Platforms for Artists<\/a><\/li>\n<li><a href=\"https:\/\/resources.onestowatch.com\/curated-spotify-playlists-indie-artists\" target=\"_blank\">Best Curated Spotify Playlists for Discovering Indie Artists<\/a><\/li>\n<\/ul>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>Learn how to pitch indie songs to playlists pre- and post-release. OnesToWatch shares the playbook to land editorial, algorithmic &amp; curator spots.<\/p>\n","protected":false},"author":35,"featured_media":1215,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1234","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/onestowatch.com\/live\/wp-json\/wp\/v2\/posts\/1234","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/onestowatch.com\/live\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/onestowatch.com\/live\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/onestowatch.com\/live\/wp-json\/wp\/v2\/comments?post=1234"}],"version-history":[{"count":3,"href":"https:\/\/onestowatch.com\/live\/wp-json\/wp\/v2\/posts\/1234\/revisions"}],"predecessor-version":[{"id":3694,"href":"https:\/\/onestowatch.com\/live\/wp-json\/wp\/v2\/posts\/1234\/revisions\/3694"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/onestowatch.com\/live\/wp-json\/wp\/v2\/media\/1215"}],"wp:attachment":[{"href":"https:\/\/onestowatch.com\/live\/wp-json\/wp\/v2\/media?parent=1234"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/onestowatch.com\/live\/wp-json\/wp\/v2\/categories?post=1234"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/onestowatch.com\/live\/wp-json\/wp\/v2\/tags?post=1234"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}