INJI Cements Herself as the Dance-Pop Artist to Watch With 'WE GOOD'
Meet INJI, the dance-pop artist we’ve all been waiting for. Her debut EP WE GOOD serves to remind us that everything’s under control, it’s never that serious, and the priority of life should be to have fun. Navigating her male-dominated genre, INJI’s music bursts with femininity and power, fusing sounds of jazz, bossa nova, classical, and everything in between. The 22-year-old Turkish artist started making music to express her fun, flirty side and nothing more. She had no idea her path would go from corporate girl to full-time artist, and that her music would soon be soundtracking parties around the globe.
WE GOOD has it all—theatrics, drama, self-love, and most importantly high energy. The project opens with the previously released collaboration, “NICE TO MEET YA,” featuring Flyana Boss, the unavailable anthem of the summer. In this track, there’s heavy influence from one of INJI’s favorite artists, the one and only Mr. 305. She describes her music as “recession pop,” which could not be cheekier and more perfect for the vision executed. Opening the project with this track introduces listeners to INJI’s sharp wordplay, unrivaled attitude, and worldwide perspective of culture-blending dance music. With the ladies of Flyana Boss bringing even more energy to the track, everyone’s freak is being matched on an extreme level.
Next up is the rock meets electronic pop banger “GIRLZ,” a straightforward girls-rule-boys-drool party moment that feels fresh and welcomed in its familiarity. Part of what makes this track so memorable is the number of beat switchups, pulling back then moving forward to build momentum for the dance-pop release. The production is textured and interesting, as INJI’s vocals stun from start to finish. “PEPSI COLA” joins this year’s growing list of pop girl masterpieces that reference soda (see “Diet Pepsi” by Addison Rae and “Cherry Cola” by Devon Again). The track is a classic club crush dedication, full of visceral metaphors and infectious soundscapes.
The second to last track on WE GOOD is a monumental one, featuring the one and only dance-pop legend, Nile Rogers. “SEXY 4EVER” is exactly what the title suggests, a groovy self-love anthem that counteracts the relatable fear of aging. In the music industry, women are valued less and less as they age. In this track, INJI takes that fear head-on and rejects it completely, singing about how she’ll only get hotter as the years go by. One of the most iconic lines of the year can be found in this track, singing with her whole chest, “I’m aging like fine wine, like cheddar, like J-Lo.” It showcases the best of INJI’s talent, the ability to capture listeners with her musical personality.
WE GOOD ends with the relatable, sped-up bossa nova closer, “ROT.” On a track about accepting that not everything works out in the end, INJI maintains her carefree attitude while still being vulnerable. The song is about the wilting of a relationship that has run its course, the perfect finish for her stellar debut project. After the track ends, listeners are left knowing exactly who INJI is and her energy has been transferred tenfold.
INJI’s debut project does not disappoint and further cements her as the dance-pop artist to watch. Her unadulterated personality and potent energy are communicated through each beat, vocal, and clever lyricism. Catch her on tour this fall and dance your problems away.
Listen to WE GOOD below:
