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Photo by Jimmy Quinn

In an era where headlines blur into a constant stream of noise, Slow Fiction’s new single “satellite” finds the New York five-piece reckoning with what happens when empathy erodes under the weight of overload. The track arrives as the latest preview of their upcoming debut album dollhouse, due August 7.

Following the hazy urgency of “junior year,” “satellite” sharpens the band’s blend of shoegaze shimmer and jangle-pop immediacy. Guitars swell in soft-focus layers while the rhythm section drives forward with quiet insistence, creating a sound that feels both weightless and grounded. At the center, Julia Vassallo’s understated delivery keeps things restrained, letting the emotional weight of the track surface gradually rather than all at once.

Rather than leaning into abstraction, Vassallo anchors the song in a specific cultural discomfort. “‘satellite’ is an allegory for collective atrophy in a country that’s poisoned with an Us vs. Them mentality. I was thinking of a person watching something uncomfortable on TV, and then being like ‘oh, that’s too much, I have to turn it off,’ because as a whole we’ve become selective with our empathy. I heard someone say recently that the price of community is occasional inconvenience; we’ve got to start considering community as more than just our own digital echo chambers.”

That sentiment lingers over the track’s central hook, “Turn off the satellite / How can you live right?”, which distills its themes into something direct and unsettlingly relatable. Rather than delivering commentary from a distance, Slow Fiction folds the idea into a song that feels immediate and emotionally charged.

What makes the track resonate is its balance. The band never lets the message overpower the music, letting the melody and meaning sit inside the same frame. It’s a track that feels deliberately unpolished in its humanity, shaped by tension rather than resolution, and continuing to refine a sound that turns observation into atmosphere, positioning themselves as one of indie rock’s most quietly compelling emerging voices. Hell yeah.

Listen to "satellite" below: