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Photo by Jackie Freeman

When I first heard Robber Robber’s new single “The Sound It Made” on a discovery playlist, I knew I had to dig deeper. It had been a while since I’d heard something that felt so new, yet familiar. I immediately went straight to their profile, needing more.

Robber Robber is a Vermont-based four-piece, Nina Cates, Zack James, Carney Hemler, and Will Krulak, that has built a sound resisting categorization. Pulling from post-punk, electronic, and experimental influences, their production feels expansive without committing to any one genre. What started as a high school friendship turned basement recording project, has now grown into a fully self-produced world, one that feels deeply human.

Their latest album, Two Wheels Move the Soul, feels like calm chaos.

“It’s cathartic… a way to work through complicated emotions in overwhelming times.”

Entirely self-produced, and what the band jokingly calls “laptop music mixed on AirPods,” the project reflects a broader melting-pot era of influence, where inspiration can come from anywhere, and all at once. Instead of referencing within one genre, Robber Robber pulls from outside it, creating something fragmented, textural, and unpredictable.

But beneath the distortion and dissonance, there’s intention.

“Sometimes it sounds broken… and that’s when it feels right.”

Their album Two Wheels Move the Soul doesn’t try to clean up the noise, it embraces it. The album moves through moments that feel anxious, jagged, even slimy, before opening into something unexpectedly beautiful. It mirrors the emotional whiplash of modern life, not always offering resolution, but release.

In a world that rewards polish and predictability, Two Wheels Move the Soul does the opposite, leaning into instability, embracing imperfection, and finding clarity somewhere in the noise. With Two Wheels Move the Soul, Robber Robber are not trying to resolve the chaos, they are inviting you to sit inside it.