From the Site
Josh Gilligan Finds Peace in the Ordinary on "Sideways"
August 28, 2026
Across the ten songs in the tracklisting, the sound stays true to its core and the songs practice restraint, as if they’re letting the home videos come to life in your mind.
Thoom Puts Everything On The Table In "Everyday, Everything Is At Stake"
August 28, 2026
If there’s one thing 'Everyday, Everything Is At Stake' sounds like, it’s an artist orbiting towards home and pulling everyone else further in along the way.
Nussy Andrews Finally Lets Herself Want Things on ‘High Self Esteem’
August 27, 2026
Nussy Andrews has proved she’s three things on this record: that she’s done hiding, that she’s pulled off this genre shift unlike any other, and that she’s ready to have high self esteem.
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Um, Jennifer? Get Dirty (Twice) on Their New EP
August 26, 2026
A raw, cutthroat, almost bloody in nature yet sincere project that’s a sterling example of the “trans slut rock” scene that the band has basically willed into existence and it’s only getting louder.
![The Situationship Diaries: Leah Sinclair's Debut Is a Love Letter to Almosts [Q&A]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/unnamed-1787092859.jpg)
The Situationship Diaries: Leah Sinclair's Debut Is a Love Letter to Almosts [Q&A]
August 21, 2026
We caught up with Leah to chat about what makes a good song in her eyes, putting words to the intangible, and what it’s like to unlock a diary you swore you’d keep to yourself.
Blondshell Closes the Book on Growing Up with “Fur Elise”
August 20, 2026
On the closing track to her forthcoming record, Blondshell explores the intricacies of what it's like to grow up without a script.
Lily Seabird’s "The Afterglow" Is The Feeling of a Room After Someone’s Left It
August 13, 2026
“The Afterglow” is the feeling of a room after someone’s left it: not empty, exactly, but just changed. It’s a fitting way into an album that seems less interested in answers than in learning to sit with what lingers.
![In Conversation: UMI x PLACEHOLDER [Q&A]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/umi_x_placeholder-1786479922.png)
In Conversation: UMI x PLACEHOLDER [Q&A]
August 11, 2026
For the latest installment of our Q&A series, we handed the mic to UMI and asked her to sit down with her personal OneToWatch, PLACEHOLDER: the colorful, soaringly passionate duo of Iris and Benj, who aren't afraid to come into contact with a few scrapes along the way as they embrace imperfection in their music making journey.
Neptune's Core Invent Their Own Genre on Debut Album 'Pivot'
August 7, 2026
A record built by two sets of sisters who have spent a decade finishing each other's sentences, 'Pivot' is the sound of that shorthand finally getting the studio, and the world, that it deserves.
Esther Kohl Stops Shrinking on Her Debut Album 'Winner'
August 6, 2026
The Brooklyn singer-songwriter’s debut record plays like the sound of someone finally done making herself feel bad for what other people think.
Neptune's Core Invent Their Own Genre on Debut Album 'Pivot'
August 7, 2026
A record built by two sets of sisters who have spent a decade finishing each other's sentences, 'Pivot' is the sound of that shorthand finally getting the studio, and the world, that it deserves.
Esther Kohl Stops Shrinking on Her Debut Album 'Winner'
August 6, 2026
The Brooklyn singer-songwriter’s debut record plays like the sound of someone finally done making herself feel bad for what other people think.
In Conversation: UMI x PLACEHOLDER [Q&A]
August 11, 2026
For the latest installment of our Q&A series, we handed the mic to UMI and asked her to sit down with her personal OneToWatch, PLACEHOLDER: the colorful, soaringly passionate duo of Iris and Benj, who aren't afraid to come into contact with a few scrapes along the way as they embrace imperfection in their music making journey.
Lily Seabird’s "The Afterglow" Is The Feeling of a Room After Someone’s Left It
August 13, 2026
“The Afterglow” is the feeling of a room after someone’s left it: not empty, exactly, but just changed. It’s a fitting way into an album that seems less interested in answers than in learning to sit with what lingers.
Josh Gilligan Finds Peace in the Ordinary on "Sideways"
August 28, 2026
Across the ten songs in the tracklisting, the sound stays true to its core and the songs practice restraint, as if they’re letting the home videos come to life in your mind.
The Situationship Diaries: Leah Sinclair's Debut Is a Love Letter to Almosts [Q&A]
August 21, 2026
We caught up with Leah to chat about what makes a good song in her eyes, putting words to the intangible, and what it’s like to unlock a diary you swore you’d keep to yourself.
Blondshell Closes the Book on Growing Up with “Fur Elise”
August 20, 2026
On the closing track to her forthcoming record, Blondshell explores the intricacies of what it's like to grow up without a script.
Thoom Puts Everything On The Table In "Everyday, Everything Is At Stake"
August 28, 2026
If there’s one thing 'Everyday, Everything Is At Stake' sounds like, it’s an artist orbiting towards home and pulling everyone else further in along the way.
Nussy Andrews Finally Lets Herself Want Things on ‘High Self Esteem’
August 27, 2026
Nussy Andrews has proved she’s three things on this record: that she’s done hiding, that she’s pulled off this genre shift unlike any other, and that she’s ready to have high self esteem.
Um, Jennifer? Get Dirty (Twice) on Their New EP
August 26, 2026
A raw, cutthroat, almost bloody in nature yet sincere project that’s a sterling example of the “trans slut rock” scene that the band has basically willed into existence and it’s only getting louder.